So I picked up Funimation's set of Armitage III because I don't think this is ever going to make it to BD. Geez, Funi sure didn't do anything at all here to improve it from the previous release; this is just a straight dump of the Geneon/Pioneer DVDs from what I can see. Old rainbowy jagged-line composite master...it doesn't even look like they attempted to try to look to see if they could get a better master from Japan. Poly Matrix movie is 16:9 but isn't even an anamorphic presentation, what is this, 2001?
Anyway, I finally got to see the OVAs (only saw Poly Matrix movie before)...wow, I didn't realize how much of a ripoff/homage this was of Blade Runner when I first saw Poly Matrix. Which of course is cool considering how this came out quite a while after the 80s ended, when every 3rd or 4th anime was referencing Blade Runner. The animation here isn't quite as good as I remembered from Poly Matrix (which basically is the OVA, edited), in my memories it seemed more theatrical quality, but, while the animation is all right for an OVA, it also has many of the same occasionally sloppy animated moments typical of many decent-budget-but-not-deluxe OVAs as well.
Another amusing thing to me is that the OVA swipes the "cheerful car ride ending" of Blade Runner's theatrical version, and then for the Poly Matrix movie they opted for a more subdued/ambiguous ending, just like the Blade Runner Director's Cut/Final Cut versions! Could they be more obvious about their love for Blade Runner?
I do hope that someday they decide to create an HD master and BD release of at least the OVA (if not both the movie and OVA, though doing a BD for both would seem pointless and redundant aside from the endings), even though I see chances of that as slim. I like this OVA, Blade Runner ripoff and all, and would like to own a better version that this muddy looking composite transfer.
I took a quick gander at Dual Matrix, and while I'll probably watch it, it seems to have some of the hallmarks of creaky early 2000s CG and digital use, as well as that "overly smooth digitally manipulated camera panning" that plagued the Fox Kids' 90s Spider-Man cartoon (hated those pans, I don't know if I'm using the right technical terms here, but people who've seen it probably will know)