greg wrote:Well, my biggest gripe with ADV was that they would screw with the opening and ending credits, removing the Japanese text with English names of the English voice actors. What's worse is that they would replace entire frames of animation just to place English text instead. They did this in many anime, from Sakura Wars to especially Evangelion and Nadesico, puking English text all over the animation, obscuring what was meant to be shown. Other anime companies, whether it's CPM, Nozomi, AnimEigo or Discotek, have not do this. I have ADV to thank for bringing over so many great titles, but I always wished that another company had handled the release. I haven't seen the Nadesico re-release by Nozomi I bought last summer on a whim, but after seeing their handling of the Dirty Pair, I have faith that they did the right thing.
Funimation does those things as well. I think with the other companies it's less an issue of conscience and more an issue of budget. I find that the bigger companies tend to try to cater to a more general market.
Sentai Filmworks is basically the leftover members of ADV, but they don't screw with OP and ED credits like at ADV. Again, I think it's more an issue of budget.
As for Animeigo's Macross, I recall it suffering from excessive DNR at times, and some of the linework got smudged. The ADV remaster emphasized the line clarity more as I recall.
Speaking of excessive DNR, Toei's recent remasters of the Galaxy Express 999 movies are an example of bad DNR. All the grain is scrubbed out and made to look like it was animated digitally and unfortunately, some of the original linework has been badly compromised. This isn't Discotek's fault because they simply release what's given to them, but excessive DNR is still a serious problem in general in modern film restoration.
Yes, the final episode was fairly typical of mid-90s character designs, with skinnier bodies and receding chins. It does, however, sport the smoothest animation in the series. Interestingly, this final episode was directed by a young Akiyuki Shinbo, who's a very productive director today (Madoka Magica, Negima, Nanoha and the Monogatari series of anime...). I personally think he's more a talented craftsman rather than an "auteur", but today's fans seem to love him.
My favourite Yohko episodes were episodes 1 and 5, and I have some respect for 6 for the animation quality. I felt 2 and 3 were a little on the tame side and trying to jump on the Sailor Moon bandwagon. 5 and 6 brought some of the comedy-horror/gore back that defined episode 1. Episode "4" is the music video.