
Yeah, I was at Anime Insider from mid-2005 to mid-2008, well after the magazine changed from "Anime Invasion" and shed the price guides. It was a goofy puffball magazine aimed largely at mainstream readers and the teenage crowd; in other words, the very people who were driving the anime craze of the early 2000s.
Working there was loads of fun, and yet it was frustrating in its limitations. Our major coverage always went to anime that wasn't commercially available in the U.S., so any old/obscure stuff was confined to news stories or broader features about the first magical-girl and mecha shows or whatever. We managed some neat old-school stories, though; my favorite was a piece where a bunch of modern-day anime directors talked about their favorite childhood shows. Probably the only time Ogon Bat was ever mentioned in the magazine.
We also didn't have any reviews. At first this was due to Wizard's overall policy, but even after that loosened the editors didn't want to run actual reviews because a) they didn't want to redesign the magazine and b) they didn't want it turning into some cult-of-personality thing. If we hated something, we'd either avoid covering it or make fun of it in the news section.
I thought we were selling ourselves short, but I've also noticed that a lot of anime fans don't like criticism of any fashion. Whenever there's a caustic review on ANN or some other popular site, people will emerge to complain about the entire concept of reviewing. A lot of anime nerds will buy, watch, and defend just about anything, and there's no telling them they shouldn't.
And yes, working with Japanese companies was often a hassle. Japan's anime media doesn't enjoy the same sort of antagonistic independence typical of the American press, as a lot of companies wanted to see our features and news stories before they went to press. That's something a journalist should never do, not even for a fluffy anime article. But the editors would relent for a big exclusive every now and then.
Don't even ask about the company who demanded that we print all Naruto copyrights without a period at the end. You know, just to make sure we were paying attention. Like Van Halen and the M&Ms.
But you know what? I loved it all: the goofy tone, the industry shenanigans, the guy in prison who was promised free cigs by "Big Chunk" if his letter saw print. It was sad to watch it all come down when the anime bubble (and Wizard itself) collapsed. If you really want to know more, I posted my favorite memories and reader fan art here.