The Discotek appreciation thread.
Posted: Thu Dec 22, 2011 9:30 pm
I think its more than fair to say that after being the company that FINALLY had the balls to release the first two Galaxy Express 999 films on DVD in North America for the very first time, along with re-releasing Project A-Ko, Demon City Shinjuku, Crying Freeman, and pretty much the entire classic Fist of the North Star anime franchise (and word from the grapevine has it that a Golgo 13 re-release isn't terribly far off in the future), Discotek has pretty much at this point positioned themselves as among the primary North American anime licensing companies that anyone with discerning taste should be seriously paying attention to; and should Bandai, Sentai Filmworks, and Right Stuf completely go under altogether, they'd basically default to the ONLY one worth bothering with at all period.
Not only are the quality if their releases superb with gorgeous transfers lifted directly from the latest Japanese remasters, but moreover their choices in titles to license are nothing short of orgasmic... far more than can be said for a certain other licensing giant that shall remain nameless. In terms of catalogue titles, Discotek is basically shaping itself as the closest thing we're likely to get to the this generation's incarnation of companies like Central Park Media, AnimEigo, U.S. Renditions, Streamline, Manga, etc. A company that deals almost solely in both cult as well as extremely important and influential titles that almost nobody else in today's market would ever even think about touching with with a thousand foot pole.
They're almost like a cross between Code Red/Blue Underground and Kino/Criterion, but for anime (though thus far with a much bigger emphasis on the former: Bandai's probably still at this point a bit more comparable to a Kino or Criterion). This basically means if you're not supporting their releases, your interest in anime likely begins and ends at whatever the newest, trendiest shonen or moe/harem title is this week. That they've also got a very nice assortment of exploitation and martial arts/wuxia live action films, along with even the occasional Tokusatsu flick, only sweetens the deal that much further.
Seriously, they fucking released Galaxy Express on DVD. If you haven't bought those puppies yet, what are you waiting for? Get on that shit, chop suey!
Not only are the quality if their releases superb with gorgeous transfers lifted directly from the latest Japanese remasters, but moreover their choices in titles to license are nothing short of orgasmic... far more than can be said for a certain other licensing giant that shall remain nameless. In terms of catalogue titles, Discotek is basically shaping itself as the closest thing we're likely to get to the this generation's incarnation of companies like Central Park Media, AnimEigo, U.S. Renditions, Streamline, Manga, etc. A company that deals almost solely in both cult as well as extremely important and influential titles that almost nobody else in today's market would ever even think about touching with with a thousand foot pole.
They're almost like a cross between Code Red/Blue Underground and Kino/Criterion, but for anime (though thus far with a much bigger emphasis on the former: Bandai's probably still at this point a bit more comparable to a Kino or Criterion). This basically means if you're not supporting their releases, your interest in anime likely begins and ends at whatever the newest, trendiest shonen or moe/harem title is this week. That they've also got a very nice assortment of exploitation and martial arts/wuxia live action films, along with even the occasional Tokusatsu flick, only sweetens the deal that much further.
Seriously, they fucking released Galaxy Express on DVD. If you haven't bought those puppies yet, what are you waiting for? Get on that shit, chop suey!